20 Best Horror Movies Start With I (2024)

20 Best Horror Movies Start With I (2024)

The symbol which has become a target of this horror is the letter I, which when looked at from a horror movies perspective, can contain a vertex full of thrills and spooky scenes. Starting with the psychological horror films that make you question things you know to be true, the vengeful dead risen from the grave, and all sorts of supernatural and eerie experiences, horror movies start with I are quite the spine-chilling experience!

This list goes further to subdivide this list by focusing on the movies highlighted here by their individual plots, categories and the horror that is presented to the audience. Therefore, take your popcorns (or stress ball if you have lots of anxiety) and darkness, and get ready to set off to a paranormal circle of “I” intelligence benders horror.

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List of 20 Best Horror Movies Start With I

1. I Am Legend (2007)

  • Genre: Post-apocalyptic action thriller
  • Director: Francis Lawrence
  • Cast: Will Smith (Robert Neville), Alice Braga (Anna Montez), Charlie Tahan (Ethan), Dash Mihok (Alpha Male)
  • IMDb Rating: 7.2
  • Runtime: 101 minutes

Robert Neville (Will Smith) who is a virologist is possibly the last surviving human being in the melancholic Manhattan of 2012, due to an adaptation of a deadly virus.

The original intent was to cure cancer but the virus runs amock and destroys humanity; most of the population is transformed into evolving beasts looking like humans, but with bat-like wings and extremely sensitive to light.

Neville starts isolating himself in the apartment he resides in the Greenwich Village, going out in search of rations each day. He does not speak to anyone except Sam, a German Shepherd, whom he lost his family to in high stakes gambling.

His days are also spent in an attempt to find a cure in the lab that he has set up and the slightest inkling that there could be others out there keeps him going. A new kind suspense comes with the night intruding when Neville has to barricade his house with the Dark seekers.

However, one fateful day that change and / or deviate from the normal pattern when he inadvertently draws the attention of the mutated creatures towards him. They find more messages and he become obsessed to find a cure after finding a hidden message meaning that there may be other chances of living beings.

This discovery rekindles his desire to survive and sets a journey that puts him into a life-or-death mission that will test everything that he ever learnt about the virus and the possibility of human existence.


2. I Know What You Did Last Summer (1997)

  • Genre: Slasher, mystery
  • Director: Jim Gillespie
  • Cast: Jennifer Love Hewitt (Julie James), Sarah Michelle Gellar (Helen Shivers), Ryan Phillippe (Barry Cox), Freddie Prinze Jr. (Ray Bronson), Johnny Galecki (Phil Mueller)
  • IMDb Rating:3
  • Runtime: 101 minutes

Four friends in their late teens — Julie, Helen, Barry, and Ray, went on a road trip to the coast in celebration of their graduation. While returning they meet a figure on the road and as the fear of stealing they kill the man and throw his body in the sea.

One year later, they wave money and got mysterious messages, and are beginning to believe that someone wants to take revenge. When their friend Julie begins receiving anonymous letters threatening to expose her under the pseudonym “I know what you did last summer,” the audience saw is a sinister reality that the four girls have to face.

There is a masked man who starts hunting them down, cutting their hook on each one of them. Realising that their lives and friendships are in danger, the friends have to tread a careful path of discovery to unmask the killer among them before they all become victims. There is also the great twist of using the feared teenage years and the recklessness that comes with them to get one’s self out of a tough spot.

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3. Insidious (2011)

  • Genre: Supernatural horror, mystery
  • Director: James Wan
  • Cast: Patrick Wilson (Josh Lambert), Rose Byrne (Renai Lambert), Ty Simpkins (Dalton Lambert), Barbara Hershey (Lorraine Lambert), Leigh Whannell (Specs)
  • IMDb Rating: 6.8
  • Runtime: 103 minutes

 Josh and Renai Lambert and their three children decide to start afresh by moving into a new, bigger house. Suddenly, their young son Dalton unexpectedly gets bedridden and cannot explain his unconsciousness to the doctors.

Spirits haunt the house in the wake of the afterbirth; there are creaks and groans, shadows, mirages of misfortune. Spiritualist couple Specs and Tucker are called in by Josh and Renai to help approach the beyond because Dalton, is trapped in a world in limbo known as ‘The Further.’ Lorraine Lambert brings in her psychic abilities to try commune with Dalton and free him from the grips of a bad spirit in The Further.

Some of the elements brought by the movie include family, death, and mystery with mystery being the key in establishing the tension and mystery that comes with finding out more about the family son’s condition. Insidious was turned into a successful horror franchise famous for some of its pranks and for trying to give the best portrayal of dreamlike realms.


4. The Innocents (1961)

  • Genre: Gothic horror, psychological thriller
  • Director: Jack Clayton
  • Cast: Deborah Kerr (Miss Giddens), Michael Redgrave (The Uncle), Megs Jenkins (Flora), Pamela Franklin (Miles)
  • IMDb Rating: 8.0
  • Runtime: 107 minutes

Story: The Innocents is a 1961 British gothic horror directed by Jack Clayton based on the Henry James’ novella ‘The Turn of the Screw’Bly is a large secluded country house which serves as the setting where the story unfolds. The movie starts with Miss Giddens having a premonition that instantly the house has a very eerie feeling about it.

The kids look irritable and self-conscious, and there are some dark whispers regarding the previous governess who met her demise rather tragically. This was triggered by a scenario in which Miss Giddens is haunted by the apparition of the former employees of the house, Peter Quint and Miss Jessel, making her doubt her own sanity and truth behind the children’s behavior.

It is this question that characterized the struggle between the reality of apparent ghosts and the inner turmoil of the children who may well have had the governess in their power as a manipulated victim of their past experiences.

The narrative of the film is very complex and some aspects of the plot are left rather vague, hence the viewers are left to wonder as to what exactly is a frightening, the supernatural scenario of Bly or the psychological disturbances in the minds of the characters.


5. In the Mouth of Madness (1994)

  • Genre: Cosmic horror, psychological horror
  • Director: John Carpenter
  • Cast: Sam Neill (John Trent), Julie Carmen (Linda Styles), Jürgen Prochnow (Sutter Cane), David Warner (Dr. Wrenn), Charlton Heston (Robinson)
  • IMDb Rating: 7.3
  • Runtime: 94 minutes

In the Mouth of Madness is yet another horror movie directed by John Carpenter that is capable of leaving the viewers confused. John Trent, an ambitious private investigator whose specialty is literary forgery, is recruited by a worried publisher to find Sutter Cane, a horror writer whose books are explicit and whose readers are behaving like the homicidal maniacs in his stories.

Through this interaction, viewers learn more about the life of Cane and as Trent explores the life of a gangster, the audience becomes unsure as to what part of this drama is real. Even though it is set up and established as fiction, the characters and incidents of Cane’s novels appear intertwined with Trent’s own existence, where questions are posed regarding the difference between reality and fantasy and the influence of the former on the latter.

Is Trent starting to become insane , or is Cane’ s make-believe world slowly coming to life? It also has elements of cosmic horror and what is considered sane and what is not and the effects of free or more precisely unrestrained imagination. In the Mouth of Madness is an excellently directed film that is a cult movie with highly frightening elements and with its conclusion that can entail different meanings to the viewers.


6. Identity (2003)

  • Genre: Psychological thriller, mystery
  • Director: James Mangold
  • Cast: John Cusack (Ed Dakota), Ray Liotta (Samuel Rhodes), Amanda Peet (Paris Nevada), John C. McGinley (Larry Washington), Clea DuVall (Ginny), Rebecca De Mornay (Caroline Suzanne)
  • IMDb Rating: 7.3
  • Runtime: 114 minutes

When a fierce storm hits, ten people find themselves stranded in a creepy roadside motel in Nevada. Their cast is a recently wed couple on their honeymoon, a family vacationing together, a sex worker, a motion picture star and her driver, a law enforcement officer and prisoner, and, finally, a modest motel clerk.

As the threats get closer and the mysteries unfold, the guests first in a line to die discover that they are all being murdered by a mysterious stalker. They are being chased by three strangers who all kill each other in gruesome ways while Ed Dakota, a former police officer turned limousine drive, follows the remaining clues in the movie.

For example, the neurotic and creepy character of Norman Bates is both a victim and a person who kills, and it is hard to distinguish them from each other. with each murder, the remaining characters are forced to struggle for the existence and realize what happened to the motel and why people become its victims.


7. It (2017 & 2019)

  • Genre: Supernatural horror
  • Director: Andy Muschietti
  • Cast: Bill Skarsgård (Pennywise the Dancing Clown), Jaeden Martell (Bill Denbrough), Finn Wolfhard (Richie Tozier), Sophia Lillis (Beverly Marsh), Jeremy Ray Taylor (Ben Hanscom), Wyatt Oleff (Stanley Uris), Chosen Jacobs (Mike Hanlon)
  • IMDb Rating: 6.9 (Chapter One), 6.5 (Chapter Two)
  • Runtime: 135 minutes (Chapter One), 169 minutes (Chapter Two)

It is a horror film based on the novel of Stephen King that consists of two movies and describes the story of the seven children in the town of Derry, Maine which are pursued by the murderer shapeshifter, It .

It often manifests itself in the shape of Pennywise the Dancing Clown, the one that kids go to when they are killed. In Derry, seven socially deprived children form a team known as ‘The Losers’ Club’ with the commitment to challenge It. The children succeed in harming It but don’t kill it during their childhood interlude.

Seventeen years later, Pennywise comes back to life and The Losers’ Club becomes adults who are trying to destroy It for the final time to let the Children of Derry free from the creature. The movie is populated with issues such as childhood fears, companionship, and the triumph through confronting one’s own boogeyman.

What can be said for sure is that it is appreciated for horror, particularly for its terrifying look at Pennywise and for depiction of dark side of seemingly quiet towns.


8. Ils (Them) (2006)

  • Genre: Psychological horror, home invasion
  • Director: David Moreau & Xavier Palud (collectively known as the filmmaking duo “MSc”)
  • Cast: Olivia Bonamy (Claude), Michaël Cohen (Manu), Xavier Dolan (Christian), Jacqueline Benoît (Catherine)
  • IMDb Rating: 6.5
  • Runtime: 93 minutes

Ils (Them) is a French horror film about a rich couple – Claude and Catherine along with their kids, Ethan and Lucas – who shift to a beautiful new large house in a complex in a quiet suburb. The audience first starts with their family getting haunted right from the start of the movie, with disturbances like noise, light, objects left moving or missing here and there.

To the dismay of the family, things take a dramatic turn that makes them believe that their house is indeed occupied by an evil spirit. The children become scared and paranoid; they mock each other and try to outdo each other in displaying insane behaviors.

It has a few jump scares, but relies more on suspense and some effective sound design as it has a minimalistic approach. The source of the haunting itself is inconclusive, and it is up to the viewer to wonder whether the family is being troubled by evil spirits or if they have finally succumbed to their desperate inner fears and neuroses.


9. Incident in a Ghostland (2018)

  • Genre: Psychological horror, thriller
  • Director: Pascal Laugier
  • Cast: Monica Bellucci (Pauline), Emilia Jones (Beth), Taylor Hickson (Vera), Kristof Van Boven (The Intruder), Kev Adams (The Salesman)
  • IMDb Rating: 6.3
  • Runtime: 109 minutes

Two teenage sisters and their mother, Pauline, find themselves confined to a large and rather abandoned house after Pauline’s sister passes away. The sisters decided one day to visit a film school and while they are gone, Pauline is left at the home alone. Later on that night, two of her strangers assaults her; a giant, non-speaking oaf and a petite woman with doll-like face, Ryder<|reserved_special_token_274|>.

Pauline offers determined resistance to perishing to cover herself; she is capable of killing all the intruders. Thus, with Vera regressed into childhood because of the frightening experience they encountered years ago, Beth comes back to the house after sixteen years as a horror novelist.

A series of events then turn a-stride as they try to understand what had occurred and remake their house. Beth has hallucinations, and the house has vibes of horror, like it remembers her as a dead person.

As such, the film deals with the concept of suffering and its effects on relationships alongside the theme of violence. The plot follows the episode and reveal format which makes it virtually hard to determine what is the truth, the false memories or hallucination.

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10. Invasion of the Body Snatchers (1956)

  • Genre: Sci-fi horror, social commentary
  • Director: Don Siegel
  • Cast: Kevin McCarthy (Dr. Miles Bennell), Dana Wynter (Becky Driscoll), Larry Gates (Dr. Daniel Hilary), King Donovan (Charlie Grimes)
  • IMDb Rating: 7.5
  • Runtime: 80 minutes

Invasion of the Body Snatchers can be regarded as one of the geeks of sci-fi horror films. Psychiatrict Miles Bennell, practicing in the small California town, begins to suspect that he and other townsfolk are surrounded by a monstrous conspiracy.

They say that the people they knew and cared for have been replaced by cold_ctrl flesh_and_bones replicas. Convinced at first of their lies, Bennell quickly discovers something that propels their investigation forward. Caramel-colored, behemoth plant pods landed on the townspeople, copying them during the night as they sleep and then stripping them of their feelings and personalities.

Bennell, a middle-aged man who wakes up one day realizing that everyone he knows has been replaced by alien duplicates, forms a band with Becky Driscoll, a woman who is convinced that her boyfriend has been replaced by an alien double, and sets out to inform the other remaining humans about the situation and find a way to rid the world of the aliens.

The film portrays a classic example of an allegory, a society in Microcosm, where individuals feel trapped by the society standards and thus fail to enjoy their freedom, which is symbolic of the McCarthy era. Seed pods of pod people, in particular a particular pod like structure of the picture, are still a powerful image of invasion and people depersonalization.


11. Island of Lost Souls (1932)

  • Genre: Sci-fi horror
  • Director: Erle C. Kenton
  • Cast: Charles Laughton (Dr. Moreau), Bela Lugosi (The Sayer of Law), Kathleen Burke (Aouda), Leila Hyams (Charles’ Wife)
  • IMDb Rating: 7.0
  • Runtime: 70 minutes (original version), 115 minutes (restored version)

Focusing the novella of the same author H. G. Wells Island of Lost Souls describes the story of Dr. Moreau, the intelligent but eccentric scientist who tries to develop his experiments on the given Island.

The main objective of Mandela is to set the evolution process in motion and further introduce a new kind of superior beings – the half-human, half-APPS. He gets his first glimpse of Moreau’s work when the journalist Edward Prendick finds himself stranded on the island with them – a half-human Hybrid creature with the head of a tiger, a panther with a human female upper body, and many more.

Moreau successfully exerts only a marginal measure of dominance over the creatures he has built, effectively brainwashing them through some form of hypnosis, but still the animal within the creations constantly strains at the leash.

Prendick is involved in Moreau’s experimentation and must outwit the embryo scientist to get out of the island before he becomes prey of the scientist’s arrogance.

The film is best interpreted as an anti-scientific and anti-technological parable suggesting the audience think twice before venturing further into the realm of Hodges’ dichotomy of human and animalistic impulses.

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12. Let Me In (2010) (Original title: Låt den rätte komma in)

  • Genre: Romantic horror, coming-of-age
  • Director: Tomas Alfredson
  • Cast: Kodi Smit-McPhee (Oskar), Lina Leandersson (Eli), Per Ragnar (Håkan), Elio Armas (Erik)
  • IMDb Rating: 8.0
  • Runtime: 115 minutes

Let me introduces the film Let Me In which is set in a grey suburb of Stockholm during the beginning of 1980s The protagonist of the film is Oskar – a 12 year old boy, who is a victim of bullies. He befriends his new neighbor Eli, a boy his age, or so he believes, and the two become the best of friends.

Eli is still deathly ill; he stays inside his house all day and goes out only in the evening. As the movie progresses, Oskar learns that Eli is actually a vampire that requires the blood of humans to sustain her existence. Nevertheless, this companionship leads to friendship and protectiveness since both characters, Oskar and Eli, feel comfortable and safe with each other due to the loneliness experienced as a result of the abnormality.

Some of the gothic elements that can be associated with this film include such themes and concepts as childhood loneliness and friendship, the dark side of childhood, and ambiguity between the lightness and the darkness. Let Me In is a stunning movie as it also excellently deals with the aspect of childhood and has a different concept of a vampire movie.


13. The Invisible Man (2020)

  • Genre: Sci-fi horror, psychological thriller
  • Director: Leigh Whannell
  • Cast: Elisabeth Moss (Cecilia Kass), Oliver Jackson-Cohen (Adrian Griffin), Aldis Hodge (James Lanier), Harriet Dyer (Sydney Lanier), Storm Reid (Zine Griffin)
  • IMDb Rating: 7.1
  • Runtime: 124 minutes

Cecilia Kass is a woman who contends with an abusive partner, Adrian Griffin, a rich scientist in the field of optometry. She also thinks that he has killed himself and the deceased person is named Adrian. Nevertheless, a number of creepy and brutal occurrences effectively make Cecilia realise that Adrian is actually pursuing her in a stalker like manner despite his ethereal nature.

Everyone ignores Cecilia’s testimony, attributing it to the fact that she is merely hallucinating or mourning the loss of her son. Having to fight for her sanity and her freedom, this is the last thing that the protagonist Cecilia ever wanted To stop Adrian and find out what is real and what is fake, she has to expose all the dark secrets behind the invisibility technology that Adrian created.

This can be seen as a contribution to the gender agenda concerning domestic abuse and a reimagining of the potential of a story like H.G.Wells’, turning it into a psychological thriller.


14. In a Glass Cage (2016)

  • Genre: Psychological thriller, drama
  • Director: Agnieszka Smoczyńska
  • Cast: Magda Górzyńska (Nikki), Antoni Pawlicki (Vladek), Jacek Lenocki (Filip)
  • IMDb Rating: 6.3
  • Runtime: 93 minutes

In a Glass Cage is a 2008 Polish psychological thriller film directed by Agnieszka Smoczyńska from the original script written by Blanka Lipińska that tells the story of a young woman Nikki who falls in love with a mysterious sculptor Vladek who is also famous for making anatomically accurate wax figures.

Stepping into a world she has never seen before, she secures a position as his assistant due to the challenge of his mystery and the finesse of the location. But as the woman gets closer to the man and as the story unfolds, she begins to doubt if the man she is living with is actually real or he is just a replica of his sculptors of real people.

To this end, the film conveys themes of obsession and the process of creative expression plus the aestheticized reality. Having left the viewers in suspense regarding Vladek and fate of the models, the work generates an eerie feeling and encourages the perception of abstract meanings behind the movie.


15. I Saw the Devil (2010)

  • Genre: South Korean revenge thriller
  • Director: Kim Jee-woon
  • Cast: Choi Min-sik (Jang Kyung-chul), Lee Byung-hun (Kim Soo-hyun), Jeon Gyu-hwan (Choi Byung-hap)
  • IMDb Rating: 8.1
  • Runtime: 150 minutes

I Saw the Devil is a sadistic and unforgiving South Korean suspense movie of vengeance. Kim Soo-hyun, a special agent, has a great life with a stunning fiancée in front of the TV camera. Their happiness is destroyed when she is kidnapped, sexually assaulted, and killed by Jang Kyung-chul, a psycho junkan.

Soo-hyun is devastated and tremendously angered as his friend died in that incident, so he decides to quit being an agent and hunt down Kyung-chul on his own. He stalks the killer Extra judicially and cumbersome executing a one man war against the murderer with a passion laden by wrath and misplaced justice. Instead, Soo-hyun slowly tortures the sadistic Kyung-chul and plays with him throughout the film, which leads to an exciting game of life and death. It presents themes regarding fear, especially that of vengeful actions, while the line between righteousness and wickedness is a thin one.

WARNING: I Saw the Devil is a movie based on revenge, death and terror; therefore, it contains a large amount of violent scenes.


16. I Sell My Soul (2006)

  • Genre: Horror, drama
  • Director: Brian Yuzna
  • Cast: Deborah Kara Unger (Helen), Rhona Mitra (Leah), Simon Callow (Verdaux), Stuart Townsend (Rob)
  • IMDb Rating: 5.3
  • Runtime: 101 minutes

Helen who aspired to be a celebrated musician, finds herself disillusioned with her aspirations and on the verge of abandonment. On one rainy night she bumps into an eerie, yet intriguing, man called Verdaux, who presents herself an offer akin to the Faustian deal. For the sake of her sinful soul, Verdaux says he’ll give her all the music she could ever want. Feeling the pressue and wanting to produce a successful play Helen enters the pact.

The lady shocks the world, and her career starts soaring, but all this comes at a cost. Whereas, for Helen, necessity and deceit resulted in a loss of essential human qualities to achieve successful beauty and fame at the cost of her humanity. Some of the major themes depicted in the movie include ambition, the dangers and effects of fame and success and the cost of-reaching-for and attaining success.

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17. I Spit on Your Grave (1978)

  • Genre: Exploitation film, rape and revenge
  • Director: Meir Zarchi
  • Cast: Camille Keaton (Jennifer Hills), E. A. Crawford (Johnny), Roger Watkins (Andy), Anthony Ronald (Austin)
  • IMDb Rating: 5.5
  • Runtime: 93 minutes

(Graphic violence and sexual assault) Once released, I Spit on Your Grave became famous for its violent scenes and portrayal of rape. Jennifer Hills, a writer who wants to avoid anything related to human communication to focus on her novel, hires a secluded cabin.

If I had opted for a different movie, the lesson I have learnt would have been different apart from the fact that I would have been wrong for choosing such a movie. One of the most sadistic scenes that can be encountered in any literary work ever written: a woman is raped by multiple persons and beaten relentlessly.

Despite being left for dead by her boyfriend and being making her helpless, a new and unbelievable born-again Jennifer turns into a very cruel woman bent on revenge. The movie shows how she gradually evolves from being a helpless subject to becoming a brutal employee, getting her revenge on each of the men.


18. The Impaler (2008)

  • Genre: Horror, thriller
  • Director: Ryûhei Kitamura
  • Cast: Adrian Paul (Vlad Dracula), Emily Perkins (Samantha), Sebastian Stan (Mihai), Roy Dupuis (Gabriel)
  • IMDb Rating: 4.8
  • Runtime: 98 minutes

The Impaler is an independent horror movie about a young man who becomes a modern Dracula, the man who was known as Vlad the Impaler. Several friends heading to college, who are on a vacation to Romania, choose to visit a mysterious Transylvanian village. They soon find out that their earthly paradise is under the curse of Vlad Dracula, the vengeful spirit.

The students become the scapegoats in the spirit’s drama, which kills them off, one by deadly one, through more elaborate and blood-curdling ways. The deeper they go, the danger rises of fatality and as the body count increases the remaining characters must find a way to defeat the curse and free themselves from the vampire.


19. In Fabric (2019)

  • Genre: Psychological horror, dark comedy
  • Director: Peter Strickland
  • Cast: Marianne Jean-Baptiste (Strix), Gwendoline Christie (Jill), Hayley Squires (Babs), Laurie Calvert (Gwen)
  • IMDb Rating: 6.3
  • Runtime: 118 minutes

In Fabric is a visually impressive and downright eerie horror movie based on a textile that endures in the 1960’s London. The plot of the book is built around the traditional motif of a red dress which is called to be cursed, and everything related to it brings misfortune to the ones who wear it. Mrs. Strix, a misanthropic, albeit financially struggling, clairvoyant, bought the dress from a dissatisfied client, ex- stripper Lulu, and tried to sell it in her shop specializing in second-hand fashions.

Samantha, an employee, is quick to point out an aqua-colored dress which, not long after, attracts the attention of Jill, a young woman who requires new clothes. Georg Fuchs agree with this saying that when Jill buys the dress, all the misfortunes befall her. Many unhappy events from her daily life then put her, for example, through financial difficulties or love failures.

Ty, while telling the story, the movie dwells upon the messages of consumerism, the influence of the clothing line and the ghosts of the past. In Fabric is a type of horror film similar to a slow-burner, where the presence of a blithe menace hangs over everything like a creeping uncertainty. Overall, this dark comedy with prescient messages and non-traditional narration will be appreciated by arthouse horror enthusiasts.


20. The Initiation (1984)

  • Genre: Slasher film
  • Director: Larry Stewart
  • Cast: Vera Miles (Mrs. Fairchild), Marla Robbins (Kelly Fairchild), Daphne Zuniga (Alison McNeil), Robert Jayne (Joey Clearwater)
  • IMDb Rating: 4.8
  • Runtime: 84 minutes

The Initiation is a backpacker slasher film from the eighties, and it’s shot predominantly in a college setting. Some of the events in the film are based on real-life hazing initiations at a national fraternity, including a dramatic story of hazing at Penn State in 1998 at the Benton portion of the film. One by one, the pledges start going missing under unexplained scenarios which continue into the next semester.

New pledge of the Kappa Alpha Psi fraternity, Kelly Fairchild, begins to distrust the fraternity brothers and their events. This is an R-rated movie where she allies with Joey Clearwater, a high school dropout, to investigate the events. Thus, as the victims perish one after another, eventually, Kelly and Joey have to struggle for life and reveal the horror at the fraternity house.

In terms of plot, characters and tone The Initiation is a typical eighties slasher film with gory moments, uses jump scares and revolves around a group of attractive young people under attack. But like the preceding Filipino movies, the latter also contain themes of hazing, peer pressure as well as the unseen aspects of college life.


Last Thoughts

Finally, no matter what type of horror movie fan you are, be it a trained veteran or a neophyte looking for something scary, you should definitely find at least one movie containing the letter “I” in its title.

The films of the gothic horror subgenre range from the psychological tortured of “Incident in a Ghostland” to the science fiction horror of “The Invisible Man” and they deal with a number of themes all of which are done through suspense, gore, and spitting images that would surely send chills, creepers, and sneers all over the body.

So, the next time you are in search of a horror flick to watch, do not be skeptical of the movies starting with the enigmatic and eerie letter ‘I’. These are the horror-based movies that you might be interested in and end up loving, who knows! You may watch these movies on Netflix.


Q: What is a movie that starts with the letter I?

Yes, we can find an impressive number of horror movies having a name starting with the letter « I »! This list explores a variety of options, including:

Q: What is the top 1 horror movie?

It’s for this reason that questions like ‘What is the best horror movie of all time?’ have no clear answer because everyone’s taste is different and no horror movie is universally loved enough to be considered the top 1 horror movie.

Some feel the satisfaction derived from psychological thrillers, and there are those who go for the ew, gory scenes and those which are jump scares. However, some highly-rated horror films (not all starting with “I”) include:

Q: What’s the scariest movie ever?

As with the “top 1” question, what may give one the fright of their life is not even a source of concern for another. It depends on the kind of fear that an individual must face and what are the aspects that a film employs to establish the spirit of fear.

However, some films are notorious for being particularly frightening, like:However, some films are notorious for being particularly frightening, like:

Q: Is Scary Movie 1 funny?

Yes, Scary Movie (2000) is a comedy horror fictitious film in relation to most popular horror films of 1990s especially Scream (1996). It boasts of parody and enumerative humor and so it is funny depending on the ability of an individual to be tickled by such humor.

Q: Is Scary Movie 2 rude?

While Scary Movie 2 (2001) provides additional hilarious parody on movies of the horror genre, it does include, nonetheless, coarse and explicit signals of sexuality. But if that type of humour brings dislike or is not suitable for you, then it might not be the best form for you.

Q: Is Scary Movie 1 for kids?

For its content and coarse detail, Scary Movie is rated R: for strong language, sexual content, violence and drug use. It should not be shown to kids that are below a certain age because it contains some explicit content.

However, it will easily look silly if not hilarious to the older teens and adults who are fans of parody comedy and with high endurance to the harsh content. Keep in mind, by all means, if a movie’s rating is important to you – always look it up.

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